An Erotic Nightmare

Directed by Brad Krumholz
Featuring Wade Bowen, Rosaruby Glaberman, Sarah Dey Hirshan, and Patricia Skarbinski
TERROTICA premiered
at The Ohio
Theatre, NYC, for a 4-week run,
October 23 to November 16, 2003
Notes from the Director
on TERROTICA:
"In March, 2003 I began
working with a group of actors on a new piece called, TERROTICA.
At that time all that was known was that I wanted to
investigate, through the creation of an original, physically-based,
ensemble theatre performance, the point at which the
arousal of the erotic and the arousal of fear coincide.
We spent 6 of the next 8 months working tirelessly, 4-5
days per week for 4 months, and 2 months full-time at NACL's
theatre center in the Catskill Mountains. The completed
performance enjoyed a 4-week run at the Ohio
Theatre in SoHo in October/November 2003.
TERROTICA is billed
as "An Erotic Nightmare." By creating a theatrical
environment in which anything can happen, anywhere, at
any given moment, and by having images, texts, films,
and movement reflected and refracted throughout the piece, TERROTICA becomes
the place of a dream. It is a dream played out in the
flesh, intimately, before an audience, so that the audience,
after the show, might have the rare opportunity to analyze
the dream they have just shared, in hopes of understanding
something more about the dark land of TERROTICA inside
themselves.
Since the performance needs
to feel like a dream, it is not possible to use traditional
theatrical conventions of narrative storytelling. However,
as in a dream, the events which unfold in close proximity
to the audience-- which sit along the two long sides
of the 50 ft. wide playing space-- need to have a certain
coherence of rhythm and image, even as the narrative
line becomes more and more fragmented.
The play begins with a couple,
clearly facing marital dysfunction. They are going on
a "vacation" to resolve their relationship
problems. Very soon, it becomes clear that they are not
alone; rather, they are "haunted" by two spirits,
who have some stake in forcing the couple to delve into
the darkest places of their subconscious minds. As the
events unfurl, the layers of civility (along with layers
of clothing...) are stripped away, and the foursome come
to inhabit TERROTICA, in which nakedness, horrific
masks, blood ritual, and violence clash in a surreal
dreamscape tinged with a heated erotic charge.
Along the way, aided by
audio overdubs (text by Wilhelm Reich, Georges Bataille,
Octavio Paz, Sigmund Freud, etc.) and 16mm film projected
onto the moving set pieces, it becomes clear that the
need for some sort of reconciliation between fear and
sexuality is much more than just one couple's struggle. TERROTICA is
the erotic nightmare of our culture, and its content
is symbolic of our culture's psychological dysfunction."
-- Brad Krumholz